One Another, graphite and milk paint on board, 40"h
x 40"w
Silver Lining: Graphite drawings
on board
This series, Silver Lining, is bound by the formal constraints
of a freehand circle drawn within a square format, using graphite
pencil applied with maximum force. Inherent to this process is the
experience of pressure and release, and a sense of meditative intimacy.
The drawings are poised between image and physicality, and recall
the close kinship of drawing to sculpture through a strong suggestion
of three dimensionality. However, just as reality is not static and
our perception of things is mutable, so too the appearance of these
drawings is in flux. The 2-dimensional surface, with the appearance
of polished metal relief sculpture, is one of continuous transformations.
Shapes appear, move, and disappear affected by the direction of the
drawn mark and the complex play of light, shifting and bouncing off
the naturally reflective graphite as the viewer moves before it. The
drawings are physically arduous and demand exacting articulation,
yet remain matter-of-fact. Without the drama of broad gesture, they
stay true to their simplicity of form, resolute in their psychological
inwardness. Informed by nature, science, and eastern aesthetics, and
armed with the simplest tools, I make circles within squaresthese
"portals." The beauty and greatness of visual language is its ability
to slip through the grasp of direct statement. It allows one to glimpse
"it" through the corner of one's eye, but upon direct scrutiny, all
certainty disappears.